Author: Realistic Dreamer
Category: Max POV
Rating: Mature/Adult
Summary: I think the title pretty much says it all. The summer after the White Room, something we really know nothing about.
Disclaimer: The characters presented are the sole property of Jason Katims, Melinda Metz, UPN and Fox. They are not mine, and no infringement is intended.
Dialogue was taken from transcripts of Max to the Max and The White Room, courtesy of Crashdown.com.
Author's Note: I owe a debt of gratitude to a lot of people. Debi, Angie, Debbi, Lindsay, Sylvia, Kath and Liz have all been my sounding boards for bouncing off ideas, have given me great advice, and have sacrificed of their time. Ladies, you've been wonderful help and great encouragement, and I can never thank you enough.
The amazing banner was made for me by LongTimeFan. I completely love it and thank her from the bottom of my heart.

You're what kept me alive. The thought of you." ... Max Evans
The Lost Summer of the White Room - Prologue Part 1
Max stands frozen in place, the phone still pressed to his ear. The line is dead, and panic is beginning to set in. As he slowly replaces the receiver, one thought runs through his head over and over, like some sort of demented chant.
Nasedo has Liz, Nasedo has Liz, Nasedo has Liz.
Abruptly, he pivots, and heads through the doors of the Crashdown, his decision made. He is going to the sheriff to enlist his help. The hell with worrying about exposing his secret to the man who has been watching and waiting for him to do just that for months now. It doesn't matter anymore; he'll take his chances.
"We've got to go to Valenti," Max's voice is strained as the others fall in behind him, hurrying to keep up with his rapid, determined strides.
"And tell him what?" Michael hisses as they move down the sidewalk. "There's two Maxes. The good one's right here, but please help us catch his evil twin?"
"That's not what he means," Alex protests.
"Then what are we going to say?" Michael throws out the question.
"I don't care what we say," Max grinds out. "Liz's life is at stake. Valenti is the only one with the resources. He could put out an APB, contact other towns."
They aren't equipped to search for Liz. He knows that; they all need to realize it as well. She and Nasedo could be anywhere; Max has no idea, because they were cut off before Liz could give him any clues to their whereabouts. This is completely beyond them. They need the sheriff's help, and if it means he is exposed as an alien, that's what Max is willing to do.
"If we tell him, he'll know everything."
Max can hear the underlying current of real fear in Isabel's voice. "I don't care anymore."
"You can't make this decision yourself, Max," Michael warns him. "Not this time."
"We all have to agree," Isabel nods her head.
Max knows that Michael and Isabel are nervous and scared. He understands that; hell, he's terrified himself. And taking it to a vote gives them an easy way out. It would force Max to comply. It wouldn't mean that they would give up the search for Liz; they just wouldn't go to Valenti. They might as well give up right now, if that's the case, because it would be nothing but a fine, useless effort.
"Since when?" Max argues furiously. "Weren’t you the one who went off with Topolsky by yourself? Liz’s life is in danger, and suddenly we’ve got rules?"
"No," Michael retorts. "There's always been rules. Tell no one. You're the one who broke that. You're not going to do that again."
Max and Michael's eyes are locked in an angry challenge when Maria breaks in with an idea of her own.
"Wait, wait, maybe we don’t. Okay, look, as far as Valenti knows there’s only one Max. That’s you. So as far as he knows, you’ve taken Liz."
Maria quickly outlines her plan. She and Alex will go to the sheriff and tell him that Liz went out with Max. That she'd later called Maria in a panic, telling her that Max started acting strangely. It was scaring her and she wants to come home, but he's not letting her. If it sounds like a kidnapping, the sheriff will do whatever he can to find her, and then they can follow him. Max quickly realizes that it's a good plan, and he agrees.
As he waits for them to feed Valenti their tale he paces, anxious. He's wound tighter than a coiled spring with the need to do something, anything. Once Alex and Maria are done, they then go to find Tess. Max knows they need to bring her along. He resents the additional precious time that ticks away while Michael finds her, but she is the only one who can help them figure out what Nasedo is trying to do. Max breathes a sigh of relief when he finally hears them.
"Michael, you don't know who you're dealing with," Tess warns.
"No, but you do," Michael retorts, as he pushes her roughly into the jeep. "And that's why you're coming with us."
Tess and Michael are barely seated when Max takes off. As they drive, they question Tess about what Nasedo could possibly have planned, but she pleads ignorance. She has no idea, she tells them. He rarely confides in her.
Max finds that hard to believe, especially when he remembers how smugly amused they'd looked that night when he'd gone to their house to get Liz. She had called him, pretending she was asking her mother's permission to stay for dinner, and he could easily read the undercurrent of panic in her voice. It was clear, when he got there, that Tess and Nasedo had made a game out of toying with Liz, and were enjoying it immensely. They were very much on the same page.
His irritation rises another notch when Tess once again takes advantage of their being forced together to bring up her version of their destiny. Max is incredulous at her one-track mind.
"You can’t deny this, any of you. It’s our destiny. It’s what we were planned for," her voice is plaintive. "Even if you don’t want to believe me, you can’t hide from the truth."
"It’s not about the four of us right now," he says impatiently. "It’s about Liz."
"Liz is human," Tess says dismissively, as if she is nothing to worry about. "She has nothing to do with us."
Max is furious, and has no desire to even try and hide how he feels. Does she really not understand how little they trust her? Tess has earned no place in their circle. From the minute they set foot in Roswell, she and Nasedo have done nothing but play games with them. They have been a thorn in his side and a pain in his ass since they got here. He has just run out of patience, and it's time Tess realizes exactly where she stands. She is the outsider. There might be four aliens, but it is definitely not "us."
"No!" Max tells her angrily. "You have nothing to do with us!"
"Michael, is that what you think?" Tess turns to appeal to him. When he looks away, she tries again. "Isabel?" There is no help there either. Tess sinks into the corner of the jeep, an obvious air of hurt surrounding her.
It is while they are on the road that they see the signal, and Tess tells them that she gets what Nasedo is up to. He is leading the special unit to him. Great, that's just f*cking brilliant. During the rest of ride, it is now never out of Max's mind that the FBI will be there too. But, he can't think about that; the only thing that matters is Liz. He is furious that the shapeshifter is putting himself and her out there as bait. All he wants is to get to them before Nasedo can possibly give her up to the special unit.
When they reach a carnival where the signal originated from, he orders them to split up. Seeing Valenti enter the funhouse, he is suddenly hopeful, knowing that the sheriff can lead him to Liz. He races to follow, his pulse pounding with the adrenaline thrumming through his veins. The maze of mirrors is confusing, making him anxious again. He knows that Liz is close, but he can't find her, and it is beginning to scare him. When he rounds another corner, he sees Nasedo, and all his fear turns into anger. He wants to strangle the shapeshifter, he is so pissed off. Max confronts him, demanding to know where Liz is, impatient with his explanations.
And then he sees her, and all gives way to sheer, sweet relief. Forgetting everything else, and leaving Nasedo behind, Max hurries to pull her into his arms and get her away, only to collide with a clear, plastic barrier. His elation turns to ashes; they are separated still. He beats on it in vain ... and that's when he somehow knows. This is going to end badly. A hopeless resignation to his fate begins to well up inside of him; his entire body seems to bow under the weight of it. Max splays his hand against the plastic, begging her to leave.
"Get out of here," his voice is low, his gaze dark and haunted.
"Not without you," Liz's eyes brim with tears as she aligns her hand with his.
His heart breaks that he can't even touch her as she stubbornly refuses to go.
"Max, look out!" she cries.
At her shouted warning, he tries to escape, but it's useless. Pain explodes as they swarm over him, slamming him into a wall, restraining him and hauling him away.
He is held face down on a gurney as they usher him into the hell that is Eagle Rock, and he panics when he can barely breathe. They push him roughly into a white room and he stumbles, falling to the floor. Quickly picking himself up, Max moves frantically around the walls, beating on them with his fists over and over in a futile attempt to find a way out. He finally stops, at last acknowledging what he already knows.
There *is* no way out for him.
Fear and despair overwhelm him, and his legs give way as he slides slowly to the floor. He pulls his knees to his chest, trying to make himself invisible, all the while knowing that there is nowhere to hide. He rocks back and forth, his mouth parched with dread and his body trembling, as he begins the long wait for what will come.